Back Issues

2015

Volume 40, Issue 2 Cover

Vol 40, No 2 (2015): Cultural Production in Canada


Above and below the line workers. Make-up artists prepare Erin Karpluk and Tahmoh Penikett for a scene. Web Series: Riftworld Chronicles (Dir. Jonathan Williams). Location: Toronto, 2014.
Volume 40, Number 1 Cover

Vol 40, No 1 (2015): Visible/Invisible: Religion, Media, and the Public Sphere


Visitors take photos of Pope Francis as he speaks from the central balcony of St. Peter’s Basilica at the Vatican, Wednesday, March 13, 2013 (Associated Press Photo/Michael Sohn).

2014

Volume 39, Volume 4 Cover

Vol 39, No 4 (2014): Bridging Communication and Science and Technology Studies (STS)


Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website: http://loudmouthprinthouse.com
Cover image for Volume 39, Issue 3

Vol 39, No 3 (2014): Analyzing Communication Strategies


Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website: http://loudmouthprinthouse.com
Volume 39, Issue 2 Cover

Vol 39, No 2 (2014): Communication Tensions in Civil Society


Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website:http://loudmouthprinthouse.com
Volume 39, Issue 1 Cover Image

Vol 39, No 1 (2014): The Francophone School of Communication and Information


Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website:http://loudmouthprinthouse.com

2013

Volume 38, Issue 4

Vol 38, No 4 (2013): The "Greening" of Communication


Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website: http://loudmouthprinthouse.com
Volume 38, Issue 3 Cover Image

Vol 38, No 3 (2013): Earth-Observing Media


Charles Stankievech’s (2009) Distant Early Warning Project installation, located in Yukon Territory.
Volume 38, Issue 1 Cover

Vol 38, No 1 (2013): Media Manoeuvres


Loudmouth Printhouse is an ottawa based, artist run, printing cooperative. Website http://loudmouthprinthouse.com

2012

Volume 37, Issue 4 Cover

Vol 37, No 4 (2012): Tracing Innis and McLuhan


« Satosphère » par André Jodoin. Salon de massage McLuhan est une installation immersive et participative de Luc Courchesne dans la Satosphère.
Volume 37, Issue 3 Cover Image

Vol 37, No 3 (2012): Digital Life


Image courtesy of Loudmouth Printhouse, an Ottawa based, artist run, printing cooperative. Website: http://loudmouthprinthouse.com
Volume 37, Issue 2 Cover

Vol 37, No 2 (2012): Practices of Persuasion


Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website: http://loudmouthprinthouse.com
Volume 37, Issue 1

Vol 37, No 1 (2012): Media Arts Revisited (MARs)


In 2009 Toronto media artist, Nell Tenhaaf completed the interactive sculpture Push/Pull with her LoFi Lab team. This image is a detailed close-up of the surface of Push/Pull, highlighting the visible ends of optical fibre cable and the sculpture's sensuous use of copper wire mesh. Courtesy of Paul Petro Contemporary Art. Photo: Zev Farber.

2011

Cover Page

Vol 36, No 4 (2011): Transitions


Ottawa photographer Hugh Durant took this shot in the Mauerpark near Prinzlauer Berg, Berlin. The park has become a true people's park with a famous flea market. It is surrounded by longer stretches of the Wall than can be normally seen.
CJC Volume 36, Number 3 Cover Image

Vol 36, No 3 (2011): Canadian Fascinations


"Costumed group representing the days of Montcalm and Wolfe and the conquest of Canada at an historical ball. Ottawa, Ontario, February. 1896 (detail)." Topley Studio, Library and Archives Canada, PA-137982
CJC Vol 36, No 2 Cover

Vol 36, No 2 (2011): The Senses of Technology


The Arlington Tests, 1915 (detail). Photographer unknown. 88-159-17669. Beaton Institute, Cape Breton University. With thanks to Michael Longford for suggesting this image.

2010

Volume 35, Issue 4

Vol 35, No 4 (2010)

On December 3, 2004, twenty years to the day since the Bhopal disaster, the Yes Men (http://www.theyesmen.org) infiltrated a major international news outlet to draw fresh attention to an horrific event that had claimed thousands of lives, and permanently poisoned many more. Jude Finisterra (a pseudonym), posing as a spokesperson for Dow (which had recently bought Union Carbide), announced on BBC World Television that the company had decided to take full responsibility for the events in Bhopal. This action, and many more, are featured in the documentary The Yes Men Fix the World (Bichlbaum, Bonanno, & Engfehr, 2009).

Cover image for Vol. 35, Issue 3

Vol 35, No 3 (2010)


EMP blaster bug by Andrew Scott (2004). Acrylic on PVC gel and iron. Andrew Scott is an artist, musician, and sound designer from Vancouver BC. His work is inspired by biology, technology, and science fiction. His robot bugs are among his favourite works, as they were created solely for his own amusement.

Additional photos of Andrew's artwork may be found here. Andrew can be reached at uma@direct.ca.

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