Back Issues


Volume 39, Issue 2 Cover

Vol 39, No 2 (2014): Communication Tensions in Civil Society

Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website:
Volume 39, Issue 1 Cover Image

Vol 39, No 1 (2014): The Francophone School of Communication and Information

Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website:


Volume 38, Issue 4

Vol 38, No 4 (2013): The "Greening" of Communication

Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website:
Volume 38, Issue 3 Cover Image

Vol 38, No 3 (2013): Earth-Observing Media

Charles Stankievech’s (2009) Distant Early Warning Project installation, located in Yukon Territory.
Volume 38, Issue 1 Cover

Vol 38, No 1 (2013): Media Manoeuvres

Loudmouth Printhouse is an ottawa based, artist run, printing cooperative. Website


Volume 37, Issue 4 Cover

Vol 37, No 4 (2012): Tracing Innis and McLuhan

« Satosphère » par André Jodoin. Salon de massage McLuhan est une installation immersive et participative de Luc Courchesne dans la Satosphère.
Volume 37, Issue 3 Cover Image

Vol 37, No 3 (2012): Digital Life

Image courtesy of Loudmouth Printhouse, an Ottawa based, artist run, printing cooperative. Website:
Volume 37, Issue 2 Cover

Vol 37, No 2 (2012): Practices of Persuasion

Loudmouth Printhouse is an Ottawa based, artist run, printing cooperative. Website:
Volume 37, Issue 1

Vol 37, No 1 (2012): Media Arts Revisited (MARs)

In 2009 Toronto media artist, Nell Tenhaaf completed the interactive sculpture Push/Pull with her LoFi Lab team. This image is a detailed close-up of the surface of Push/Pull, highlighting the visible ends of optical fibre cable and the sculpture's sensuous use of copper wire mesh. Courtesy of Paul Petro Contemporary Art. Photo: Zev Farber.


Cover Page

Vol 36, No 4 (2011): Transitions

Ottawa photographer Hugh Durant took this shot in the Mauerpark near Prinzlauer Berg, Berlin. The park has become a true people's park with a famous flea market. It is surrounded by longer stretches of the Wall than can be normally seen.
CJC Volume 36, Number 3 Cover Image

Vol 36, No 3 (2011): Canadian Fascinations

"Costumed group representing the days of Montcalm and Wolfe and the conquest of Canada at an historical ball. Ottawa, Ontario, February. 1896 (detail)." Topley Studio, Library and Archives Canada, PA-137982
CJC Vol 36, No 2 Cover

Vol 36, No 2 (2011): The Senses of Technology

The Arlington Tests, 1915 (detail). Photographer unknown. 88-159-17669. Beaton Institute, Cape Breton University. With thanks to Michael Longford for suggesting this image.


Volume 35, Issue 4

Vol 35, No 4 (2010)

On December 3, 2004, twenty years to the day since the Bhopal disaster, the Yes Men ( infiltrated a major international news outlet to draw fresh attention to an horrific event that had claimed thousands of lives, and permanently poisoned many more. Jude Finisterra (a pseudonym), posing as a spokesperson for Dow (which had recently bought Union Carbide), announced on BBC World Television that the company had decided to take full responsibility for the events in Bhopal. This action, and many more, are featured in the documentary The Yes Men Fix the World (Bichlbaum, Bonanno, & Engfehr, 2009).

Cover image for Vol. 35, Issue 3

Vol 35, No 3 (2010)

EMP blaster bug by Andrew Scott (2004). Acrylic on PVC gel and iron. Andrew Scott is an artist, musician, and sound designer from Vancouver BC. His work is inspired by biology, technology, and science fiction. His robot bugs are among his favourite works, as they were created solely for his own amusement.

Additional photos of Andrew's artwork may be found here. Andrew can be reached at
Cover Image

Vol 35, No 2 (2010)

"La consommation de pornographie chez les hommes gais"

Front cover image by permission of Justin Jorgensen,, from his well known series Obscene Interiors: Hardcore Amateur Decor, which he describes as “a collection of real online male personal ad photos and my critique of the decorating found within.”


Volume 34, Issue 4 Cover Image

Vol 34, No 4 (2009): Race, Ethnicity, and Intercultural Communication

"Mustang Suite" was created by Dana Claxton, an interdisciplinary artist who works in film, video, photography, performance, aboriginal broadcasting, and pedagogy. She was born in Saskatchewan of Lakota Sioux descent, and now makes Vancouver, British Columbia, her home. For detailed information see
Cover image: Surveillence in Vancouver high schools

Vol 34, No 3 (2009)

Surveillance in Vancouver high schools. Image by Richard Smith, aka Flickr user 'smith.' Uploaded 2006. Made available under a Creative Commons Attribution 2.0 Generic license.

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We wish to acknowledge the financial support of the Social Sciences and Humanities Research Council for their financial support through theAid to Scholarly Journals Program.